That guy is a bass player.
The bass player, in that case, is in it to pay and/or to play.
That’s exactly right.
Here’s the difference: when it’s a musician that’s in it to make it cool, when it’s a professional that’s in it to earn a living, when it’s an ex-felon that does it, when it’s a member of the “wrong” party that’s in it to make it cool, it’s all a bit different. As a musician I don’t want to go there, not when I want to make a living. I’ll make it cool, or at least get paid, to play music. A bass player, as a musician, that has a musical talent that is to be admired, that’s got to be appreciated, that’s got to have respect, that’s got to have respect from the public.
Now, the way that bass players pay for it comes into play. The way that a bass player pays for it goes in to play from the standpoint of: When I’m on stage, what you want to do isn’t to go to school to become better, if you want to get better, you have to learn how to play music. You either have to learn how to play, or you don’t. That can’t just be done through a program. If you can’t perform, then you don’t have to learn until you’ve learned. That is not an excuse. That’s how it goes.
As far as education goes, that’s a different thing entirely. If I go to school to get the better idea, I get the better idea. I don’t have to sit there with textbooks and lectures. I don’t have to learn it. I could go to a studio where I would get my own room, where I could just work out alone and get my own gear, and then if I wanted to go home, and play the same tunes, it would be right there.
The way I go is, I would get the idea to play by learning from the master; I wouldn’t learn the music. I’m not going to put my nose to the grindstone and be the most proficient and perfect musician I can be. If I go the other way, maybe I would become the most proficient and perfect drummer that I can possibly be. But those are completely different concepts.
There’s one more place, that I would have the utmost respect,
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