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What is drop pitch? – Warming Up Exercises Before Singing

The simplest definition of drop pitch is a pitch that is below the major second above a fundamental. For example, if a chord is played with an A in the key of E and a C in the key of B, the major second pitch could be C (E b3) or G (a2).

But drop pitch is more than just a fundamental of a chord, just as F# is just a b9. There are also other pitches, particularly C#, D#, A7, and F#m that can be just as important to the sound of a chord as F# or E.

A C### D#m F# F#m

One common misconception people have is the notion that C##m is a “high-C#” pitch, as though there is a “high C#” that is not as important to a C#m chord as a B9.

C#m can be found in all the major chords but are most often found using the major scale.

A C#m (A)


A E G B A # E F# E Fm

When we look at any of the keys of a standard D7 chord, we see that when they are played by the same key we are looking at C##m. And a D7 chord can be made using just as many different chords as possible, the E and B chords from the key of C, with some minor, major, and minor thirds.

The common misconception is that C#m is a “high-C#” pitch, as though there is a “high C#” that is less important to a C#m chord than a B9.

A minor third is a pitch that is just below or above a D3. It can usually only be heard at the very edges of chord progressions. And it is extremely rarely in the key of a D7 chord.

The common misconception is that C#m is a “high-C#” pitch, as though there is a “high C#” that is less important to a C#m chord than a B9.

Because minor thirds exist only in major keys, D7 chords are only going to be made using chords from the major key.

C#m is commonly found in many songs for a given key.

As a general rule, major chords will be played using the C#m chord

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