First and foremost, ethics photography is all about “ethical photography”. It is about photography that is free from any kind of manipulation on the subject matter, that is, no altering or falsifying of the photos, or any kind of manipulation that takes advantage of the image. It is about capturing something that is “natural rather than staged”, and being able to understand the human nature and the unique personalities of the subjects, that is, what is hidden in a moment of truth, and the human emotions that flow in between these scenes! For some people, photography is an art form, but I think the essence of photography has nothing to do with the art. I believe in photography as an art, because when you capture something, you are capturing the truth. I’m not going to lie to you, this will sound cliché, but photography is more than just a matter of perception. It’s about an open mind. If you feel what I’m about to tell you might make you feel uncomfortable, that is OK. Sometimes people have preconceived ideas about what they want to see, so it doesn’t matter how hard or how long you’re about to go, it’s important to not let them dictate to you. It just takes practice! Once you begin to get a feel for the story behind another photo, then you can just go!
What makes a good ethics lens? What is a good lens for ethics?
Well, for my own personal use, I would say a good lens for ethical photography is the Leica M2. This great lens really works well with my body. The focus ring is responsive to one hand, which is a very good thing for me, and it’s pretty compact. In my opinion, the Zeiss 35mm f/1.4, the Tokina AT-X 16-35mm f3.5-5.6 G OSS Zoom, the Minolta MC 50mm f/1.2, the Canon 24-70mm f4L USM, and the Sigma 18-35mm f4 are all good lenses for ethical photography. The biggest problem I have using the M2 is how the focusing ring is located as it’s a bit loose, and that is something I didn’t find to be a problem with the lens. What makes some of these good lenses a bit tricky is that you actually need to get your fingers into the shutter to get the most out of the lens, or else you won’t have a good feeling of what you’re getting. The
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